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[套盒] 安纳·毕斯马演奏大提琴组曲与奏鸣曲 (11 Discs)

[套盒] 安纳·毕斯马演奏大提琴组曲与奏鸣曲 (11 Discs)

Anner Bylsma
Hi-Res44.1kHz/16bit
专辑数量：50首
格式：FLAC
风格：古典
厂牌：Sony Classical

曲目试听（共 50 首）

  • 1Suite No. 1 in G Major, BWV 1007: I. PréludeAnner Bylsma
  • 2Suite No. 4 in E-Flat Major, BWV 1010: I. PréludeAnner Bylsma
  • 3Suite for Solo Cello No. 1 in G Major, BWV 1007: I. PréludeAnner Bylsma
  • 4Suite No. 1 in G Major, BWV 1007: II. AllemandeAnner Bylsma
  • 5Suite No. 4 in E-Flat Major, BWV 1010: II. AllemandeAnner Bylsma
  • 6Suite for Solo Cello No. 1 in G Major, BWV 1007: II. AllemandeAnner Bylsma
  • 7Suite No. 1 in G Major, BWV 1007: III. CouranteAnner Bylsma
  • 8Suite No. 4 in E-Flat Major, BWV 1010: III. CouranteAnner Bylsma
  • 9Suite for Solo Cello No. 1 in G Major, BWV 1007: III. CouranteAnner Bylsma
  • 10Suite No. 1 in G Major, BWV 1007: IV. SarabandeAnner Bylsma
  • 11Suite No. 4 in E-Flat Major, BWV 1010: IV. SarabandeAnner Bylsma
  • 12Suite for Solo Cello No. 1 in G Major, BWV 1007: IV. SarabandeAnner Bylsma
  • 13Suite No. 1 in G Major, BWV 1007: V. Menuet I/IIAnner Bylsma
  • 14Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée I/IIAnner Bylsma
  • 15Suite for Solo Cello No. 1 in G Major, BWV 1007: V. Menuet I & IIAnner Bylsma
  • 16Suite No. 1 in G Major, BWV 1007: VI. GigueAnner Bylsma
  • 17Suite No. 4 in E-Flat Major, BWV 1010: VI. GigueAnner Bylsma
  • 18Suite for Solo Cello No. 1 in G Major, BWV 1007: VI. GigueAnner Bylsma
  • 19Suite No. 2 in D Minor, BWV 1008: I. PréludeAnner Bylsma
  • 20Suite No. 5 in C Minor, BWV 1011: I. PréludeAnner Bylsma
  • 21Suite for Solo Cello No. 2 in D Minor, BWV 1008: I. PréludeAnner Bylsma
  • 22Suite No. 2 in D Minor, BWV 1008: II. AllemandeAnner Bylsma
  • 23Suite No. 5 in C Minor, BWV 1011: II. AllemandeAnner Bylsma
  • 24Suite for Solo Cello No. 2 in D Minor, BWV 1008: II. AllemandeAnner Bylsma
  • 25Suite No. 2 in D Minor, BWV 1008: III. CouranteAnner Bylsma
  • 26Suite No. 5 in C Minor, BWV 1011: III. CouranteAnner Bylsma
  • 27Suite for Solo Cello No. 2 in D Minor, BWV 1008: III. CouranteAnner Bylsma
  • 28Suite No. 2 in D Minor, BWV 1008: IV. SarabandeAnner Bylsma
  • 29Suite No. 5 in C Minor, BWV 1011: IV. SarabandeAnner Bylsma
  • 30Suite for Solo Cello No. 2 in D Minor, BWV 1008: IV. SarabandeAnner Bylsma
  • 31Suite No. 2 in D Minor, BWV 1008: V. Menuett I/IIAnner Bylsma
  • 32Suite No. 5 in C Minor, BWV 1011: V. Gavotte I/IIAnner Bylsma
  • 33Suite for Solo Cello No. 2 in D Minor, BWV 1008: V. Menuet I & IIAnner Bylsma
  • 34Suite No. 2 in D Minor, BWV 1008: VI. GigueAnner Bylsma
  • 35Suite No. 5 in C Minor, BWV 1011: VI. GigueAnner Bylsma
  • 36Suite for Solo Cello No. 2 in D Minor, BWV 1008: VI. GigueAnner Bylsma
  • 37Suite No. 3 in C Major, BWV 1009: I. PréludeAnner Bylsma
  • 38Suite No. 6 in D Major, BWV 1012: I. PréludeAnner Bylsma
  • 39Suite for Solo Cello No. 3 in C Major, BWV 1009: I. PréludeAnner Bylsma
  • 40Suite No. 3 in C Major, BWV 1009: II. AllemandeAnner Bylsma
  • 41Suite No. 6 in D Major, BWV 1012: II. AllemandeAnner Bylsma
  • 42Suite for Solo Cello No. 3 in C Major, BWV 1009: II. AllemandeAnner Bylsma
  • 43Suite No. 3 in C Major, BWV 1009: III. CouranteAnner Bylsma
  • 44Suite No. 6 in D Major, BWV 1012: III. CouranteAnner Bylsma
  • 45Suite No. 3 in C Major, BWV 1009: IV. SarabandeAnner Bylsma
  • 46Suite No. 6 in D Major, BWV 1012: IV. SarabandeAnner Bylsma
  • 47Suite No. 3 in C Major, BWV 1009: V. Bourrée I/IIAnner Bylsma
  • 48Suite No. 6 in D Major, BWV 1012: V. Gavotte I/IIAnner Bylsma
  • 49Suite No. 3 in C Major, BWV 1009: VI. GigueAnner Bylsma
  • 50Suite No. 6 in D Major, BWV 1012: VI. GigueAnner Bylsma

专辑介绍

专辑简介： 为庆祝荷兰大提琴家安纳·毕斯马(Anner Bylsma) 80岁寿辰（该套录音于2014年发行），索尼古典特别精选了他最优秀的录音作品，其中许多最早由传奇古乐厂牌发行，现以11张唱片的形式再次问世。 毕斯马1934年出生于海牙，曾获卡萨尔斯比赛一等奖，并担任阿姆斯特丹皇家音乐厅管弦乐团首席大提琴。作为上世纪六七十年代古乐器复兴运动的先驱之一，他与弗兰斯·布吕根(Frans Brüggen)、古斯塔夫·莱昂哈特(Gustav Leonhardt)等“荷兰巴洛克学派”成员密切合作，并与妻子共同创立了古乐器室内乐团“L’Archibudelli”。1979年，他首次用古乐器录制巴赫的六首无伴奏大提琴组曲，成为音乐史上的里程碑。 这张专辑集中收录了毕斯马演绎的巴洛克与古典早期大提琴作品，包括J.S.巴赫、科雷利、亨德尔、加布里埃利等作曲家的奏鸣曲与组曲。毕斯马以“历史知情演绎”著称（即依据历史文献、使用古乐器或仿古乐器，尽可能还原作品诞生时的声音与风格），但他从不拘泥于枯燥的本真，而是追求“音乐真理”。他曾说：“这更像一种感觉：你必须以作品本该被演奏的方式去演奏。如果它是真诚、发自内心的，那它听起来就真实，并能带来愉悦。”这套录音正是这一理念的生动体现。 艺术家简介： 安纳·毕斯马(Anner Bylsma)是享誉国际的大提琴大师，无论使用古乐器还是现代大提琴，都能以无可挑剔的技巧和纯净音色驾驭多样风格。他16岁进入海牙皇家音乐学院，1957年以最高演奏文凭毕业；1959年获卡萨尔斯国际比赛一等奖，1962年成为阿姆斯特丹皇家音乐厅管弦乐团首席大提琴。1968年后专注独奏与室内乐，与古乐名家弗兰斯·布吕根、古斯塔夫·莱昂哈特等长期合作，并参与创建“阿基布德里”室内乐团。他毕生研究大提琴文献，著有《巴赫，击剑大师》，其录音遍及索尼等厂牌，曾获爱迪生奖、金音叉奖等。

曲目列表:

01. I. Prélude

02. II. Allemande

03. III. Courante

04. IV. Sarabande

05. V. Menuets I & II

06. VI. Gigue

07. I. Prélude

08. II. Allemande

09. III. Courante

10. IV. Sarabande

11. V. Menuets I & II

12. VI. Gigue

13. I. Prélude

14. II. Allemande

15. III. Courante

16. IV. Sarabande

17. V. Bourrées I & II

18. VI. Gigue

19. I. Prélude

20. II. Allemande

21. III. Courante

22. IV. Sarabande

23. V. Bourrées I & II

24. VI. Gigue

25. I. Prélude

26. II. Allemande

27. III. Courante

28. IV. Sarabande

29. V. Gavottes I & II

30. VI. Gigue

31. I. Prélude

32. II. Allemande

33. III. Courante

34. IV. Sarabande

35. V. Gavottes I & II

36. VI. Gigue

37. I. Prélude

38. II. Allemande

39. III. Courante

40. IV. Sarabande

41. V. Menuet I & II

42. VI. Gigue

43. I. Prélude

44. II. Allemande

45. III. Courante

46. IV. Sarabande

47. V. Menuet I & II

48. VI. Gigue

49. I. Prélude

50. II. Allemande

51. III. Courante

52. IV. Sarabande

53. V. Bourrée I & II

54. VI. Gigue

55. I. Prélude

56. II. Allemande

57. III. Courante

58. IV. Sarabande

59. V. Bourrée I & II

60. VI. Gigue

61. I. Prélude

62. II. Allemande

63. III. Courante

64. IV. Sarabande

65. V. Gavotte I & II

66. VI. Gigue

67. I. Prélude

68. II. Allemande

69. III. Courante

70. IV. Sarabande

71. V. Gavotte I & II

72. Gigue

73. I. Vivace

74. II. Adagio

75. III. Allegro

76. I. Adagio

77. II. Allegro

78. III. Andante

79. IV. Allegro

80. I. Adagio

81. II. Allegro ma non tanto

82. III. Andante

83. IV. Allegro moderato

84. I. Larghetto

85. II. Allegro

86. III. Tempo di Minuetto

87. I. Preludio

88. II. Loure

89. III. Gavotte en Rondeau

90. IV. Menuet I/II

91. V. Bourrée

92. VI. Gigue

93. I. Allemande

94. II. Corrente

95. III. Sarabande

96. IV. Bourrée anglaise

97. I. Grave

98. II. Fuga

99. III. Andante

100. IV. Allegro

101. I. Adagio ma non tanto

102. II. Allegro

103. III. Siciliano

104. IV. Allegro assai

105. I. Preludio (Vivace)

106. II. Corrente (Allegro)

107. III. Sarabanda (Largo)

108. IV. Giga (Allegro)

109. Sonata in G Minor, Op. 5, No. 12 "La Follia"

110. Etude in A Minor, Op. 155, No. 2: Allegro

111. Etude in B-Flat Major, Op. 54, No. 6: Allegro non troppo

112. Etude in D Major, Op. 158, No. 2: Presto

113. I. Larghetto

114. II. Allegro

115. III. Larghetto

116. IV. A tempo di Gavotta

117. V. Allegro

118. I. Larghetto

119. II. Allegro

120. III. Adagio

121. IV. Allegro

122. I. Allegro

123. II. Adagio

124. III. Allegro

125. Canzone XVI in A Minor (detta la Samminiata)

126. Canzone VIII in G Minor (detta la Ambitiosa)

127. Canzone XV in F Major (detta la Lieuratte)

128. Ricercar V in C Major

129. Canon à due Violoncelli in D Major

130. Ricercar I in G Minor

131. Grave – Presto – Adagio

132. Ricercar IV in E-Flat Major

133. Presto e spiritoso – Adagio – Allegro aria francese

134. Ricercar II in A Minor

135. Allegro – Prestissimo – Adagio – Aria allegro

136. Ricercar III in D Major

137. Grave – Allegro – Largo – Presto

138. Ricercar III in F Major

139. Ricercar X in G Minor

140. Spiritoso (Presto) – Grave – Menuet

141. Ricercar VI in G Major

142. Ricercar VII in D Minor

143. Adagio – Prestissimo – Adagio – Aria presto

144. I. Largo

145. II. Allegro

146. III. Largo

147. IV. Allegro

148. I. Largo

149. II. Allegro

150. III. Largo

151. IV. Allegro

152. I. Largo

153. II. Allegro

154. III. Largo

155. IV. Allegro

156. I. Largo

157. II. Allegro

158. III. Largo

159. IV. Allegro

160. I. Largo

161. II. Allegro

162. III. Largo

163. IV. Allegro

164. I. Largo

165. II. Allegro

166. III. Largo

167. IV. Allegro

168. I. Largo

169. II. Allegro poco

170. III. Largo

171. IV. Allegro

172. I. Preludio – Largo

173. II. Allemande – Andante

174. III. Sarabande – Largo

175. IV. Gigue – Allegro

176. I. Larghetto

177. II. Allegro poco

178. III. Andante

179. IV. Allegro

180. I. Allegro

181. II. Largo assai

182. III. Allegro moderato

183. I. Allegro moderato

184. II. Adagio

185. III. Affettuoso

186. I. Allegro

187. II. Largo assai

188. III. Rondo – Allegro

189. I. Allegro

190. II. Andante affetuoso

191. III. Allegro

192. Allegro

193. I. Allegro

194. II. Adagio

195. III. Affettuoso

196. I. Andantino

197. II. Adagio assai

198. III. Tempo di Minuetto amoroso

199. Allegro

200. I. Adagio

201. II. Allegro

202. III. Allegretto

203. I. Allegro

204. I. Allegro

205. II. Larghetto

206. III. Allegro

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