Ferenc Farkas (1905-2000) is often viewed as a gifted miniaturist, sifting through Baroque and popular Hungarian sources to produce glittering orchestral dances of infectious energy. That Farkas does indeed exist, as in the suite from the ballet The Sly Students, but this album also shows an entirely different side to his musical personality. His Preludio e Fuga finds him experimenting with dodecaphony – but he offered a caution: 'In the twelve-tone theme of the fugue, I did not use Schoenberg's orthodox model but a softer form, more euphoric, with a rounder and more attractive sonority – I am thinking of works by Luigi Dallapiccola or […] Frank Martin'. His only symphony was a victim of Communist orthodoxy, so severely criticised at Party meetings that Farkas shelved the score. This first complete recording reveals a work that is both big-boned and big-hearted – one of the finest of all Hungarian symphonies.01 – The Sly Students Suite_ I. Fair02 – The Sly Students Suite_ II. Air03 – The Sly Students Suite_ III. St04 – The Sly Students Suite_ IV. Gyp05 – The Sly Students Suite_ V. Pas06 – The Sly Students Suite_ VI. Fin07 – Symphony_ I. Overture08 – Symphony_ II. Elegia09 – Symphony_ III. Scherzo10 – Symphony_ IV. Finale11 – Preludio e fuga_ I. Preludio12 – Preludio e fuga_ II. Fuga13222990066/104.28.159.215